Jesus Christ Superstar
Monday, February 25, 2013
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We made him a type of Everyman. Judas did
not think of himself as a traitor. He did what he did, not because he was
basically evil, but because he was intelligent. He could se Christ becoming
something he considered harmful to the Jews. Judas felt that they been
persecuted enough. As far as what Christ was saying, general principles of
how human beings should live together – Judas approved of this. What Judas
was worried about was that as Christ got bigger and bigger and more popular,
people began switching their attentions from what Christ was saying to
Christ himself. They were saying that Jesus is God, here is the new Messiah,
and Judas was terrified because, a.) he didn’t agree with it – he thought
Christ was getting out of control and it was affecting Him, and b.) Judas
reckoned that if the movement got too big and people began worshipping
Christ as a god, the Romans who were occupying Israel would come down and
clobber them.
– Superstar
lyricist Tim Rice
The play represents a confused and commercial portrait of Christ – a
Christ that does not rise from the dead. Of course, the Christ the
authors present would not have risen from the dead. They are not men of
faith, and their statements only serve to undermine the scriptures. I
have not seen the show, and my objections are based on what friends who have seen it tell me.
– Minister Dennis Miller, Calvary Baptist Church
Tim Rice and Andrew Lloyd Webber’s Jesus
Christ Superstar set the world buzzing when it first appeared on vinyl in
1970 and on Broadway in 1971. The executives at MCA Records were terrified by
it. In reaction to the single "Superstar," one MCA exec said, "A song like that
will offend everyone." Another said, "If we put that record out, every churchman
in the country will stone us." It made one secretary cry, who said, "It’s sad
when a company like Decca [owned by MCA] has to make money by making fun of
Jesus!" Later on, the film’s director Norman Jewison would say, "My hope is that
audiences will take this for what it is – an opera, not history. These kids are
trying to take Jesus off the stained-glass windows and get him down on the
street. Some people are not going to like that." As author Robert Short put it,
"It is a complete misunderstanding to view Jesus Christ Superstar as an
expression of anyone’s answer… Its purpose is, first, to put to Jesus the
question we have today about the meaning of life, and second, to put this
question in our own way of putting it." Tim Rice did with this story the
same thing that clergy across America do every Sunday morning: remove it from
its distant past and foreign culture and give it resonance and relevance to the
issues and obstacles we face every day.
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