Korg Kronos X
Thursday, March 7, 2013
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[System]
System: Kronos System Version 2.0
Keyboard:
- 88-key: RH3 (Real Weighted Hammer Action 3)
73-key: RH3 (Real Weighted Hammer Action 3)
61-key: Natural Touch Semi Weighted
[Tone Generator]
Synthesis Types: 9 | |
---|---|
SGX-1 | Premium Piano (Acoustic Piano) |
EP-1 | MDS Electric Piano (Electric Piano) |
HD-1 | High Definition Synthesizer (PCM Virtual Memory Technology) |
AL-1 | Analog Synthesizer (Analog Modeling) |
CX-3 | Tonewheel Organ (Tonewheel Organ Modeling) |
STR-1 | Plucked String (Physical Modeling) |
MOD-7 | Waveshaping VPM Synthesizer (VPM Synthesis) |
MS-20EX | (CMT Analog Modeling) |
PolysixEX | (CMT Analog Modeling) |
Maximum Polyphony*1*2: | |
---|---|
SGX-1: | 100 voices*3 |
EP-1: | 104 voices |
HD-1: | 140 voices |
AL-1: | 80 voices |
CX-3: | 200 voices |
STR-1: | 40 voices |
MOD-7: | 52 voices |
MS-20EX: | 40 voices |
PolysixEX: | 180 voices |
*A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*2 In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*3 100 dual-stereo notes (It corresponds to 400 voices in the maximum.)
Number of Programs/Combinations/Drumkits:
- 2,560 user memory programs
(1,536 [768 HD-1+768 EXi] come preloaded)
1,792 user memory combinations
(480 come preloaded)
264 user memory drumkits
(78 come preloaded)
256 GM Level2 preset programs+ 9 GM Level2 drum preset programs
- 314 MB (ROM 1,505 multisamples, 1388 drum samples)
- EXs1 - ROM Expansion
EXs2 - Concert Grand Piano
EXs3 - Brass & Woodwinds
EXs4 - Vintage Keyboards
EXs5 - ROM Expansion 2
EXs6 - SGX-1 German D Piano
EXs7 - SGX-1 Japanese C Piano
EXs8 - Rock Ambience Drums
EXs9 – Jazz Ambience Drums
- Approx. 2 GB*4
*4 The memory available for RAM samples will change based on the use of Expansion PCM libraries. About 1,129 MB is available when shipped from the factory (when loading the file named “PRELOAD.KSC”).
- 598 user memory, 165
Premium Piano:
PCM:
- EXs6 - SGX-1 German D Piano
- EXs7 - SGX-1 Japanese C Piano
- EXs12 - SGX-1 Austrian Piano (Option Sound Libraries, DEMO Version is pre-installed)
- 32
- Damper Resonance, Damper Noise, Mechanical Noise, Note Release
MDS Electric Piano:
- Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
- Tine EP I, Tine EP II, Tone EP V, Tine EP DMP, Reed EP200, Reed EP200A
- Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
- Tine Type: Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Reed Type: Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
*5 Each electric piano type has own amp/cabinet character.
- Small Phase, Orange Phase, Clack Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage
Flanger, Red Comp, VOX Wah
Advanced Vector Synthesis:
- Control oscillator volumes and synthesis & effects parameters
via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Two completely separate drumkits.
- 8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
- Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
Four-mode filter routings (single, serial, parallel and 24dB mode)
- Per voice non-linear driver and low boost circuit
- Three bands, with sweepable mid
- Three envelope generators, two LFOs per voice, common LFO, four key
tracking generators, AMS (Alternate Modulation Source), two AMS mixers
Advanced Vector Synthesis:
- Control oscillator volumes and synthesis & effects parameters
via the Vector Joystick and the tempo-synchronized Vector Envelope.
- Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO,
2 Key Tracking Generators
- Three bands, with sweep-able mid
Oscillators:
- Ultra-low-aliasing oscillators
- OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
- Run real-time audio through the synthesis engine
- Two multi-mode filter (low-pass, high-pass, band-pass and
band-reject) with four types of filter routings (single, serial,
parallel and 24dB mode), MultiFilter mode (only Filter-A; modulatable
mix of Low Pass, High Pass, Band Pass, and dry input, for creating a
wide variety of unique filter types and effects)
- Per-voice non-linear driver and low boost circuit
- Five Envelope generators, four per-voice LFOs, two AMS Mixers;
Per-voice Step Sequencer.
Tonewheel Organ Modeling:
- Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
- Four additional, user-specified drawbars, and expanded percussion.
- Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
- Controlled via nine front-panel sliders (via Tone Adjust)
- Upper, Lower (even in EX mode)
- Two AMS mixers
- Physically Modeled String:
- Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more
- Three independent excitation sources can be used simultaneously:
Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width
and randomization. Noise generator with saturation and dedicated lowpass
filter
- PCM Oscillator:
- Korg’s ultra-low-aliasing technology, as introduced in the HD-1; 4
velocity zones per oscillator; Uses any mono ROM, EXs, or RAM
multisamples; PCM can either be used as an excitation signal, or layered
with the output of the string.
- Excitation Filter:
- Dedicated 2-pole multimode filter for shaping the string excitation;
Filter can be enabled/disabled separately for each excitation source.
Low Pass, High Pass, Band Pass, and Band Reject modes
- Run real-time audio through the string, including feedback through
effects. Modeled feedback includes modulate-able instrument-to-amp
distance and orientation.
- Dual multi-mode filters per voice; Single, Serial, Parallel (with
split stereo output), and 24dB (4-pole) configurations. Low Pass, High
Pass, and Band Reject modes
Multi Filter mode (Filter A only):
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
[MOD-7 Program]
Waveshaping VPM Synthesizer:
- Combines Variable Phase Modulation (VPM), waveshaping ring
modulation, PCM sample playback, and subtractive synthesis; Able to
convert-load SYX files.
- 6 VPM/Waveshaper/Ring Modulation Oscillators:
Phase and modulatable pitch per oscillator; 101 Waveshaper tables plus modulatable Drive and Offset; Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
PCM Oscillator:
Korg’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator; Uses any mono ROM, EXs, or RAM multisamples; PCM can be used as an FM modulator and/or layered with the VPM Oscillators. Noise generator with saturation and dedicated low pass filter.
- Run real-time audio through the VPM Oscillators and filters.
- Dual multi-mode filters per voice. Parallel and 24 dB (4-Pole)
configurations; Low Pass, High Pass, Band Pass, and Band Reject modes
- Multi Filter mode (Filter A only):
- Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
- Supports both algorithm (78 types) selection and free patching;
Three 2-in, 1-out mixers for scaling and merging audio, fully
modulatable, with phase inversion. Main 6-input stereo mixer, with
modulatable pan and volume, plus phase inversion
- 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice
Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
Oscillators:
- Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
- Run real-time audio through the synthesis engine and ESP (External Signal Processor)
- 12dB/octave High Pass and Low Pass self-resonant filters
ESP section:
24dB/octave Low Cut and High Cut filters, available per voice.
- Patchable audio and modulation, at audio rates
- Keyboard:
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
VCO:
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
VCF:
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
VCO+VCF:
Total External Modulation In
VCA:
External Initial Gain Control In, VCA In
EG:
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
MG:
Triangle Out, Rectangle Out
Noise Generator:
Pink Noise Out, White Noise Out
Sample and Hold:
Clock Trigger In, Sample Signal In, S/H Out
Modulation VCA:
Control Voltage In, Signal In, Signal Out
Manual Controller:
Control Wheel Out, Momentary Switch
ESP:
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
Others:
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
- Use incoming audio as a trigger and/or CV source.
- Original DAR and HADSR EGs 1 & 2, original MG (with MIDI sync),
Sample-and- Hold, MVCA; 4 additional multi-stage Envelopes, 4 additional
per-voice LFOs, and 4 AMS Mixers
Oscillators:
- VCO:
Saw, Pulse, PWM
Sub Oscillator:
Off, 1 octave below, 2 octaves below
- 24dB/octave Low Pass self-resonant filter
- Integrated Polysix Chorus, Phase, and Ensemble
Arpeggiator:
- Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
- Original ADSR EG and MG (with MIDI sync), 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers
Number of Timbres:
- 16 Maximum
- Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI devices
- Control oscillator volumes and synthesis & effects parameters
via the Vector Joystick and the tempo-synchronized Vector Envelope.
System:
- Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
System:
- Open Sampling System (resampling, In-Track sampling)
- RAM: 16-bit/48 kHz stereo/mono sampling
- DISK: 16 or 24-bit/48 kHz stereo/mono sampling
- RAM: Depends on the amount of availale PCM RAM
- DISK: Maximum 80 minutes stereo (879 MB: 16-Bit)
- 16,000 samples/4,000 multisamples (128 indexes per multisample)
- Direct sampling (ripping) from audio CD (CD-DA)
- Korg format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
- Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Insert Effects: 12
- Stereo in / stereo out
- Stereo in / stereo out
- Stereo in / stereo out
- High, low, and mid band
Modulation:
- Dynamic Modulation and Common LFO
- Two stereo side chains
- Maximum 32 per 1 effect (Preset User)
KARMA Modules:
- One module in Program mode, four modules in Combination and Sequencer modes
- 2,048 presets, 1,536 Users (96 come Preload)
- On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime
Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] –
[8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time
Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
Drum Track Patterns:
- 697 preset (common with the preset patterns of the MIDI sequencer)
Tracks:
- 16-track MIDI sequencer + 16-track hard disk recorder + master track.
- 200 songs
- 1/480
- 40.00 – 300.00 (1/100 BPM resolution)
- 400,000 MIDI events
or 300,000 audio events
- 16 tracks plus the master track
697 preset/100 user patterns (per song)
18 preset/16 user template songs,
- Korg (Kronos, OASYS) format, SMF formats 0 and 1.
- 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
- 80 minutes
- Volume, Pan, EQ, and Send1/2; 5,000 regions (max.), Event Anchors, BPM Adjust
- 1 Pattern set per song.
Disk Mode:
- Load, save, utility, audio CD burning, audio CD playback, data filer
function (save/load MIDI System Exclusive data), CD-R/RW (UDF format
read/write), ISO9660 Level 1. *6
*6 Need to use with External USB CD Drive, etc.
- Vector joystick, joystick, ribbon controller, switches 1 & 2
Control Surface:
- Control Assign Switches:
Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA, or Tone Adjust.
Mixer Knobs Switch:
Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8 (Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
- On/Off, Latch, Chord Assign, module Control
- TouchView graphical user interface, 8 inch TFT, SVGA (800x600 dots), adjustable brightness
- L/MONO, R:
1/4” Balanced; 350 ohms Stereo; 175 ohms Mono (L/MONO Only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Individual 1-4:
1/4” Balanced; 350 ohms Stereo; 175 ohms Mono, Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu (when load impedance is 600 ohms or greater)
Headphones:
1/4” stereo phone jack, output impedance: 33 ohms, Maximum Level: 60+60 mW (when load impedance is 33 ohms),
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz, (the same signals as L/MONO, R)
USB-B:
24-bit, 48 kHz, 2 channels (the same signals as L/MONO, R)
Audio Inputs 1 and 2:
- 1/4” Balanced; Input Impedance: 10 kohms, Nominal Level: +4.0 dBu,
Maximum Level: +16 dBu,Source Impedance: 600 ohms, S/N: 95 dB (Typical),
Dynamic Range: 95 dB (Typical), Crosstalk: 95 dB (at 1 kHz, Typical)
S/P DIF:
Optical, 24-bit, IEC60958, EIAJCP-1201, 48 kHz
USB-B:
24-bit, 48 kHz, 2 channels
Control Inputs:
Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI:
In, Out, Thru
USB:
USB A (TYPE A) x 2 (for connection to external USB devices)
USB B (TYPE B) x 1 (MIDI/audio interface, MIDI: 1(16ch) input / 1(16ch) output, Audio: 2 channel input / 2 channel output)
2 USB high-speed ports (supports 480Mbps)
- Frequency Response:
20Hz-22kHz, +/-1.0 dB, 10k Ohms load
THD+N:
20Hz-22kHz, 0.01%, 10k Ohms load (typical)
S/N:
95 dB (typical)
Dynamic Range:
95 dB (typical)
Crosstalk:
95 dB, at 1 kHz (typical)
62 GB SSD (2.5”)
Power Consumption:
60 W
Dimensions: (W x D x H)
- 88-key: 57.28” x 16.18” x 5.71”
1,455 x 411 x 145 mm
73-key: 48.94” x 16.18” x 5.71”
1,243 x 411 x 145 mm
61-key: 41.42” x 14.25” x 5.28”
1,052 x 362 x 134 mm
Weight:
88-key: 50.71 lbs. / 23.0 kg
73-key: 44.75 lbs. / 20.3 kg
61-key: 27.56 lbs. / 12.5 kg
Accessories:
AC cord, Quick Start Guide, Accessory DVD Disc 1, 2 (DVDs include Kronos Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
- Kronos Sound Libraries: *EXs Expansion Sample Series
- *KRS Professional Sound Series
- XVP-10: Expression/Volume Pedal
EXP-2: Foot Controller
DS-1H: Damper Pedal
PS-1: Pedal Switch
PS-3: Pedal Switch
- HC-KRONOS 88: Hard Case with caster for Kronos88
- HC-KRONOS 73: Hard Case with caster for Kronos73
- HC-KRONOS 61: Hard Case with caster for Kronos61
- Check This Out :
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Title: Korg Kronos X
Written By Kristofani
Hopefully this article useful to you. If you wish to quote either part or all of the contents of this article, please include dofollow links to http://kristianporung.blogspot.com/2013/03/korg-kronos-x.html. Thank you for reading this article.Written By Kristofani
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